PYLAR presentAbysmos, the second installment in the trilogy they began three years ago withHorror CósmycoAre there still bands making long-term plans? Yes—here’s one.

On their seventh studio album, PYLAR persist in their long-standing search for the limits of metal—that immortal genre, home to some of the most enduring loyalties, a niche among niches. But eternity, as we know, brings erosion, and so PYLAR are determined to reclaim the genre’s original capacity for challenge—the very quality that earned metal its reputation over half a century ago. Perhaps this is why the international specialized press has bowed at the feet of the Seville-based band, with features including a cover in Metal Hammer and a premieres in Decibel and Metal Injection .

Together with PYLAR, Raúl Pérez has handcrafted at La Mina a hypnotic sound for Abysmos—at once omnipresent and elusive. A dense sonic fabric built from thunderous atavistic percussion, amplifier-shaking guitars, apocalyptic trumpets, and violins. At its core lie monastic voices chanting in forgotten alphabets, reciting fragments of forbidden texts meant to unleash hidden forces.

Always following a path of erudition and the occult, orbiting ideas such as the loss of sanity, PYLAR once again count on Francisco Jota-Pérezfor their lyrics, while also drawing from sources such as Cyclonopedia by Reza Negarestani—a cult work at the precise intersection of science fiction and philosophy.

With this set of elements, PYLAR bring forth Abysmos, aimed at rewriting the future of their genre and destined for your delight—just as literary works like Moby-Dick, The Songs of Maldoror, or Don Quixote once did in their own field.

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ABYSMOS

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HORROR CÓSMYCO

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… LA SAGRADA ESPYRAL